I am deeply honoured to have been invited to speak at the University of Tennessee, Knoxville in April of this year. My guest lecture to the Department of Modern Foreign Languages and Literatures, entitled “Go West, Comrade! Radical Frontiers in the Spaghetti Western”, will take place on Monday 16th April. The …

I shall be addressing the Irish Film Institute in Dublin before and after the screening of Damiano Damiani’s A Bullet for the General / Quién sabe?, on Saturday August 27th 2011. The film is being shown as part of the IFI’s “Meanwhile, Back at the Revolution…” season, and I will be both …

I have written a short taster article for my forthcoming book, Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema. The article addresses the confused political agenda at the heart of Sergio Sollima’s Faccia a faccia (1967), and is up on the IB Tauris website, should you be interested.
Read …

I shall be giving a talk on the cult cachet of Sergio Corbucci’s Django (1966) to the fifth annual “Cine Excess” conference in May 2011, and Django himself will be in attendance! Guests of honour and veritable giants of cult Italian cinema Franco Nero and Ruggero Deodato will be the …

My article, “Out West, Down South: Gazing at America in Reverse Shot through Damiano Damiani’s Quien sabe?” (The Italianist, (30:2) 2010) is now available for all to read and download free of charge, should you so wish. You can download the article in pdf format here, or just read it here:

My latest article, on the cinematographic nuances of Damiano Damiani’s political Italian Western Quien sabe? (1966), appears in this summer’s edition of The Italianist. This publication has become established as one of the leading international journals of Italian Studies. The annual Film Issue provides an outlet for research into an aspect …

“HURRY UP PLEASE IT’S TIME
HURRY UP PLEASE IT’S TIME
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.”
(T.S. Eliot, The Waste Land).
Sergio Martino’s Mannaja / A Man Called Blade (1977) is about as entertaining a death-rattle as one might hope to encounter, but a terminal gurgle it remains. The Italian Western phenomenon …

Michael Cimino’s Heaven’s Gate (1980) is, from a multitude of perspectives, a book-end. If Owen Wister is said to have spawned the Western genre (in fact a slightly spurious claim, given the multifarious incarnations of the myth in popular culture prior to The Virginian), Cimino is widely credited as its …

Cultural Borrowings: Appropriation, Reworking, Transformation, edited by Iain Robert Smith, is now online. This exciting new eBook of original scholarship on processes of adaptation in film, television and new media is a special edition of the peer-reviewed journal Scope: an Online Journal of Film and TV Studies. It includes my …

At first sight, Grant Heslov’s latest offering The Men Who Stare at Goats (2009) resides alongside the whimsical fantasia of an earlier McGregor outing, Tim Burton’s Big Fish (2003): the picaresque adventures of a little guy in a mysterious dream world. There is, however, more to this film than such a …