I’ll be addressing the Society for Cinema and Media Studies (SCMS) annual conference in Boston, Massachusetts, which runs from March 21st-25th at the Boston Park Plaza Hotel and Towers. My paper is entitled “Italian Americanisms: Popular Italian Cinema in the Light of the Transnational”, and the abstract is as follows:
Defining …

I’ll be presenting a paper to the annual conference of the UK’s Media, Communication and Cultural Studies Association (MeCCSA) at the University of Bedfordshire in January. My paper is entitled ‘La cinema all’americana? Defining the Transnational “Popular”‘. It seeks to recalibrate the discourse surrounding popular Italian cinema by suggesting that, …

When Jean Baudrillard visited the USA, he wrote: ‘I was here in my imagination long before I actually came here’ (1988: 72). His words evoke an uncanny rendering of the culturally familiar, through the eyes of a European who has walked onto the world’s biggest movie set. Such a secondary experience of America was …

On Saturday September 18th 2010, I will be addressing “Kiss Kiss Kill Kill: A Symposium on the Forgotten Spy Film of Cold War Europe” at the University of Hertfordshire. My paper, “Chronicles of Lead: Transatlantic Flow in 1970s Italian Cop Thrillers”, will consider the poliziesco filone‘s significance as both a …

“HURRY UP PLEASE IT’S TIME
HURRY UP PLEASE IT’S TIME
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.”
(T.S. Eliot, The Waste Land).
Sergio Martino’s Mannaja / A Man Called Blade (1977) is about as entertaining a death-rattle as one might hope to encounter, but a terminal gurgle it remains. The Italian Western phenomenon …

“Society”, opines Reinhard Kolldehoff’s gleefully shady lawyer, “has many ways of defending itself: red tape, prison bars and the revolver”. His line serves a dual purpose. On a narrative level, it suggests to the key protagonist Vito Cipriani (Oliver Reed) the futility of resistance against the state apparatus facing him. …