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	<title>Austin Fisher &#187; Italianist</title>
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	<description>Scholarly writing &#38; musings on film.</description>
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		<title>&#8220;Out West, Down South&#8221; &#8211; Open Access</title>
		<link>http://www.austinfisher.me.uk/2010/09/out-west-down-south-open-access/</link>
		<comments>http://www.austinfisher.me.uk/2010/09/out-west-down-south-open-access/#comments</comments>
		<pubDate>Thu, 09 Sep 2010 09:49:58 +0000</pubDate>
		<dc:creator>Austin Fisher</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Cultural Borrowing]]></category>
		<category><![CDATA[Damiano Damiani]]></category>
		<category><![CDATA[Filoni]]></category>
		<category><![CDATA[Franco Solinas]]></category>
		<category><![CDATA[Italian cinema]]></category>
		<category><![CDATA[Italianist]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Spaghetti Westerns]]></category>
		<category><![CDATA[Westerns]]></category>

		<guid isPermaLink="false">http://www.austinfisher.me.uk/?p=529</guid>
		<description><![CDATA[
																											My article, &#8220;Out West, Down South: Gazing at America in Reverse Shot through Damiano Damiani’s Quien sabe?” (The Italianist, (30:2) 2010) is now available for all to read and download free of charge, should you so wish. You can download the article in pdf format here, or just read it here:

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																											<p>My article, &#8220;Out West, Down South: Gazing at America in Reverse Shot through Damiano Damiani’s <em>Quien sabe?</em>” (<em>The Italianist</em>, (30:2) 2010) is now available for all to read and download free of charge, should you so wish. <a title="Out West, down south: Gazing at America in reverse shot through Damiano Damiani’s Quien sabe?" href="http://www.austinfisher.me.uk/wp-content/uploads/2010/03/Austin-Fisher-Out-West-Down-South.pdf">You can download the article in pdf format here</a>, or just read it here:</p>
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		<item>
		<title>&#8220;Out West, Down South&#8221; in The Italianist.</title>
		<link>http://www.austinfisher.me.uk/2010/07/out-west-down-south-in-the-italianist/</link>
		<comments>http://www.austinfisher.me.uk/2010/07/out-west-down-south-in-the-italianist/#comments</comments>
		<pubDate>Fri, 02 Jul 2010 10:49:56 +0000</pubDate>
		<dc:creator>Austin Fisher</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Damiano Damiani]]></category>
		<category><![CDATA[Franco Solinas]]></category>
		<category><![CDATA[Italian cinema]]></category>
		<category><![CDATA[Italianist]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Spaghetti Westerns]]></category>
		<category><![CDATA[Westerns]]></category>

		<guid isPermaLink="false">http://www.austinfisher.me.uk/?p=494</guid>
		<description><![CDATA[
																											My latest article, on the cinematographic nuances of Damiano Damiani&#8217;s political Italian Western Quien sabe? (1966), appears in this summer&#8217;s edition of The Italianist. This publication has become established as one of the leading international journals of Italian Studies. The annual Film Issue provides an outlet for research into an aspect ...]]></description>
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																											<p>My latest article, on the cinematographic nuances of Damiano Damiani&#8217;s political Italian Western <em>Quien sabe? </em>(1966), appears in this summer&#8217;s edition of<em> The Italianist</em>. This publication has become established as one of the leading international journals of Italian Studies. The annual Film Issue provides an outlet for research into an aspect of the discipline that has increasingly occupied scholars in recent years, but which has until now been without a dedicated forum.</p>
<p>Here&#8217;s the full list of contents in this latest issue:</p>
<p><strong>Editorial</strong></p>
<p style="padding-left: 30px; "><strong><a style="text-decoration: none;" title="Editorial" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00001">Editorial</a> </strong><br />
pp. 163-163(1)<br />
<strong>Authors:</strong> <em>Marcus, Millicent; O&#8217;Leary, Alan</em></p>
<p><strong>Articles</strong></p>
<p style="padding-left: 30px; "><strong><a style="text-decoration: none;" title="Gendering mobility and migration in contemporary Italian cinema" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00002">Gendering mobility and migration in contemporary Italian cinema</a> </strong><br />
pp. 165-182(18)<br />
<strong>Authors:</strong> <em>Luciano, Bernadette; Scarparo, Susanna</em></p>
<p style="padding-left: 30px; "><strong><a style="text-decoration: none;" title="Out West, down South: Gazing at America in reverse shot through Damiano Damiani's Quien sabe?" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00003">Out West, down South: Gazing at America in reverse shot through Damiano Damiani&#8217;s <em>Quien sabe?</em></a> </strong><br />
pp. 183-201(19)<br />
<strong>Author:</strong> <em>Fisher, Austin</em></p>
<p style="padding-left: 30px; "><strong><a style="text-decoration: none;" title="Sexual dissidence and the mainstream: The queer triangle in Ferzan Ozpetek's Le fate ignoranti" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00004">Sexual dissidence and the mainstream: The queer triangle in Ferzan Ozpetek&#8217;s <em>Le fate ignoranti</em></a> </strong><br />
pp. 202-218(17)<br />
<strong>Author:</strong> <em>Rigoletto, Sergio</em></p>
<p style="padding-left: 30px; "><strong><a style="text-decoration: none;" title="Percorsi di identita narrativa nella memoria difficile: La musica in I cento passi e Buongiorno, notte" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00005">Percorsi di identità narrativa nella memoria difficile: La musica in <em>I cento passi</em> e <em>Buongiorno, notte</em></a> </strong><br />
pp. 219-244(26)<br />
<strong>Author:</strong> <em>D&#8217;Onofrio, Emanuele</em></p>
<p><strong>Short Communication</strong></p>
<p style="padding-left: 30px; "><strong><a style="text-decoration: none;" title="Il Divo: A discussion" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00006"><em>Il Divo</em>: A discussion</a> </strong><br />
pp. 245-271(27)</p>
<p><strong>Framing crisis and rebirth in Italian cinema: A roundtable</strong></p>
<p style="padding-left: 30px; "><strong><a style="text-decoration: none;" title="Framing crisis and rebirth in Italian cinema: A roundtable" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00007">Framing crisis and rebirth in Italian cinema: A roundtable</a> </strong><br />
pp. 272-289(18)</p>
<p><strong>Editing Suite</strong></p>
<p style="padding-left: 30px; "><strong><a title="Il cinema italiano intorno a Gomorra tra visibilita, semivisibilita, invisibilita" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00008">Il cinema italiano intorno a <em>Gomorra</em> tra visibilità, semivisibilità, invisibilità</a> </strong><br />
pp. 290-308(19)<br />
<strong>Author:</strong> <em>Uva, Christian</em></p>
<p><strong>Cinegiornale</strong></p>
<p style="padding-left: 30px; "><strong></strong><strong><a style="text-decoration: none;" title="Conference report Popular Italian Cinema: An International Conference" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00009">Conference report<br />
</a></strong><strong><a style="text-decoration: none;" title="Conference report Popular Italian Cinema: An International Conference" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00009">Popular Italian Cinema: An International Conference<br />
</a></strong>pp. 309-314(6)<br />
<strong>Authors:</strong> <em>Bayman, Louis; Rigoletto, Sergio</em></p>
<p style="padding-left: 30px; "><strong><a style="text-decoration: none;" title="Conference report Da 'Sodoma' a 'Gomorra': Framing Crisis and Rebirth in Italian Cinema" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00010">Conference report<br />
</a></strong><strong><a style="text-decoration: none;" title="Conference report Da 'Sodoma' a 'Gomorra': Framing Crisis and Rebirth in Italian Cinema" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00010">Da &#8216;Sodoma&#8217; a &#8216;Gomorra&#8217;: Framing Crisis and Rebirth in Italian Cinema<br />
</a></strong>pp. 315-320(6)<br />
<strong>Authors:</strong> <em>Holdaway, Dom; Grisà, Mariarita Martino</em></p>
<p style="padding-left: 30px; "><strong><a style="text-decoration: none;" title="Cinemonitor Osservatorio Cinema (www.Cinemonitor.it)" href="http://www.ingentaconnect.com/content/maney/ita/2010/00000030/00000002/art00011">Cinemonitor &#8211; Osservatorio Cinema (www.Cinemonitor.it)</a> </strong><br />
pp. 321-323(3)<br />
<strong>Authors:</strong> <em>Grisà, Mariarita Martino</em></p>
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