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	<title>Comments on: Radical Frontiers in the Spaghetti Western</title>
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	<description>Scholarly writing &#38; musings on film.</description>
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		<title>By: Austin Fisher</title>
		<link>http://www.austinfisher.me.uk/publications/radical-frontiers-in-the-spaghetti-western/comment-page-1/#comment-1571</link>
		<dc:creator>Austin Fisher</dc:creator>
		<pubDate>Sun, 29 May 2011 13:14:42 +0000</pubDate>
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		<description>Hi Alex. My apologies for the tardy response. I&#039;ve been peddling my academic wares to a conference these last few days (along with meeting Franco Nero!).

It&#039;s wonderful to hear from such an esteemed Spaghetti Western expert as yourself, and many thanks for your support. I totally agree that the historical context of the 60s is too easily overlooked when appraising the era&#039;s popular cinema, and I hope I can do something to remedy this. I don&#039;t actually discuss &quot;Don&#039;t Touch the White Woman&quot; in the book (the &quot;art-house&quot; counter-point to the Spaghettis I employ is, as with Frayling, &quot;Vent d&#039;Est&quot;), though I know exactly what you mean about it and thinking about your words now, I wish I had included it. Grist for the mill of my research certainly, so thank you!</description>
		<content:encoded><![CDATA[<p>Hi Alex. My apologies for the tardy response. I&#8217;ve been peddling my academic wares to a conference these last few days (along with meeting Franco Nero!).</p>
<p>It&#8217;s wonderful to hear from such an esteemed Spaghetti Western expert as yourself, and many thanks for your support. I totally agree that the historical context of the 60s is too easily overlooked when appraising the era&#8217;s popular cinema, and I hope I can do something to remedy this. I don&#8217;t actually discuss &#8220;Don&#8217;t Touch the White Woman&#8221; in the book (the &#8220;art-house&#8221; counter-point to the Spaghettis I employ is, as with Frayling, &#8220;Vent d&#8217;Est&#8221;), though I know exactly what you mean about it and thinking about your words now, I wish I had included it. Grist for the mill of my research certainly, so thank you!</p>
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		<title>By: Alex Cox</title>
		<link>http://www.austinfisher.me.uk/publications/radical-frontiers-in-the-spaghetti-western/comment-page-1/#comment-1570</link>
		<dc:creator>Alex Cox</dc:creator>
		<pubDate>Thu, 19 May 2011 17:52:33 +0000</pubDate>
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		<description>I&#039;m looking forward to this! I get tired of being accused of &#039;injecting&#039; leftist politics into my analysis of Spaghetti Westerns. The sock puppet generation, having missed the 60s and 70s, has no idea what a radical era, or radical cinema, was like. Your book, I hope, will educate such pups as to where these writers and directors were coming from. (Do you include DON&#039;T TOUCH THE WHITE WOMAN? There is no more radical Western)</description>
		<content:encoded><![CDATA[<p>I&#8217;m looking forward to this! I get tired of being accused of &#8216;injecting&#8217; leftist politics into my analysis of Spaghetti Westerns. The sock puppet generation, having missed the 60s and 70s, has no idea what a radical era, or radical cinema, was like. Your book, I hope, will educate such pups as to where these writers and directors were coming from. (Do you include DON&#8217;T TOUCH THE WHITE WOMAN? There is no more radical Western)</p>
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