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	<title>Comments for Austin Fisher</title>
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	<link>http://www.austinfisher.me.uk</link>
	<description>Scholarly writing &#38; musings on film.</description>
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		<title>Comment on Directory of World Cinema: Italy by Directory of World Cinema: Italy &#124; The Wild Eye</title>
		<link>http://www.austinfisher.me.uk/publications/directory-of-world-cinema-italy/comment-page-1/#comment-1588</link>
		<dc:creator>Directory of World Cinema: Italy &#124; The Wild Eye</dc:creator>
		<pubDate>Thu, 18 Aug 2011 11:07:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?page_id=32#comment-1588</guid>
		<description>[...] like Austin Fisher, Iain Robert Smith, Christopher Frayling etc etc.  Austin has a lot more info up on his blog, or you can pre-order it [...]</description>
		<content:encoded><![CDATA[<p>[...] like Austin Fisher, Iain Robert Smith, Christopher Frayling etc etc.  Austin has a lot more info up on his blog, or you can pre-order it [...]</p>
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		<title>Comment on Django Survey by Kirsty</title>
		<link>http://www.austinfisher.me.uk/2010/12/django-survey/comment-page-1/#comment-1572</link>
		<dc:creator>Kirsty</dc:creator>
		<pubDate>Sun, 29 May 2011 13:46:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?p=598#comment-1572</guid>
		<description>1. 37
2. Scottish
3. Odeon Covent Garden; May 2011
4. I knew it was a cult classic, &amp; about the gun in the coffin &amp; ear slicing but didn&#039;t realise that Django himself was quite so amoral. I&#039;d heard about the mud but didn&#039;t realise it was so all-pervasive and found it almost hard to adjust to as I associate Westerns (Spaghetti &amp; other) with dusty backgrounds.</description>
		<content:encoded><![CDATA[<p>1. 37<br />
2. Scottish<br />
3. Odeon Covent Garden; May 2011<br />
4. I knew it was a cult classic, &amp; about the gun in the coffin &amp; ear slicing but didn&#8217;t realise that Django himself was quite so amoral. I&#8217;d heard about the mud but didn&#8217;t realise it was so all-pervasive and found it almost hard to adjust to as I associate Westerns (Spaghetti &amp; other) with dusty backgrounds.</p>
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		<title>Comment on Radical Frontiers in the Spaghetti Western by Austin Fisher</title>
		<link>http://www.austinfisher.me.uk/publications/radical-frontiers-in-the-spaghetti-western/comment-page-1/#comment-1571</link>
		<dc:creator>Austin Fisher</dc:creator>
		<pubDate>Sun, 29 May 2011 13:14:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?page_id=239#comment-1571</guid>
		<description>Hi Alex. My apologies for the tardy response. I&#039;ve been peddling my academic wares to a conference these last few days (along with meeting Franco Nero!).

It&#039;s wonderful to hear from such an esteemed Spaghetti Western expert as yourself, and many thanks for your support. I totally agree that the historical context of the 60s is too easily overlooked when appraising the era&#039;s popular cinema, and I hope I can do something to remedy this. I don&#039;t actually discuss &quot;Don&#039;t Touch the White Woman&quot; in the book (the &quot;art-house&quot; counter-point to the Spaghettis I employ is, as with Frayling, &quot;Vent d&#039;Est&quot;), though I know exactly what you mean about it and thinking about your words now, I wish I had included it. Grist for the mill of my research certainly, so thank you!</description>
		<content:encoded><![CDATA[<p>Hi Alex. My apologies for the tardy response. I&#8217;ve been peddling my academic wares to a conference these last few days (along with meeting Franco Nero!).</p>
<p>It&#8217;s wonderful to hear from such an esteemed Spaghetti Western expert as yourself, and many thanks for your support. I totally agree that the historical context of the 60s is too easily overlooked when appraising the era&#8217;s popular cinema, and I hope I can do something to remedy this. I don&#8217;t actually discuss &#8220;Don&#8217;t Touch the White Woman&#8221; in the book (the &#8220;art-house&#8221; counter-point to the Spaghettis I employ is, as with Frayling, &#8220;Vent d&#8217;Est&#8221;), though I know exactly what you mean about it and thinking about your words now, I wish I had included it. Grist for the mill of my research certainly, so thank you!</p>
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		<title>Comment on Radical Frontiers in the Spaghetti Western by Alex Cox</title>
		<link>http://www.austinfisher.me.uk/publications/radical-frontiers-in-the-spaghetti-western/comment-page-1/#comment-1570</link>
		<dc:creator>Alex Cox</dc:creator>
		<pubDate>Thu, 19 May 2011 17:52:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?page_id=239#comment-1570</guid>
		<description>I&#039;m looking forward to this! I get tired of being accused of &#039;injecting&#039; leftist politics into my analysis of Spaghetti Westerns. The sock puppet generation, having missed the 60s and 70s, has no idea what a radical era, or radical cinema, was like. Your book, I hope, will educate such pups as to where these writers and directors were coming from. (Do you include DON&#039;T TOUCH THE WHITE WOMAN? There is no more radical Western)</description>
		<content:encoded><![CDATA[<p>I&#8217;m looking forward to this! I get tired of being accused of &#8216;injecting&#8217; leftist politics into my analysis of Spaghetti Westerns. The sock puppet generation, having missed the 60s and 70s, has no idea what a radical era, or radical cinema, was like. Your book, I hope, will educate such pups as to where these writers and directors were coming from. (Do you include DON&#8217;T TOUCH THE WHITE WOMAN? There is no more radical Western)</p>
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		<title>Comment on Django Survey by Shawn Blankenship</title>
		<link>http://www.austinfisher.me.uk/2010/12/django-survey/comment-page-1/#comment-1541</link>
		<dc:creator>Shawn Blankenship</dc:creator>
		<pubDate>Sat, 09 Apr 2011 16:49:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?p=598#comment-1541</guid>
		<description>1. 37
2. American
3. I saw Django for the first time 2 months ago during our family movie night, when we screen old films to introduce our 8 children to the best of classic cinema. We were beginning to get into Spaghetti Westerns, &amp; we happened upon Django, &amp; we all fell in love with it. My kids now want to listen to the theme song in the car everywhere we go, &amp; they want to see everything Franco Nero has ever done. 
4. I knew it had a cult following due to some precursory research into spaghetti westerns, but I had no idea it would be just as good as it really is. The dark art of the film &amp; Nero&#039;s unforgettable performance is timeless &amp; will forever go down in the annals of film history as the epitome of &quot;Cool&quot;.</description>
		<content:encoded><![CDATA[<p>1. 37<br />
2. American<br />
3. I saw Django for the first time 2 months ago during our family movie night, when we screen old films to introduce our 8 children to the best of classic cinema. We were beginning to get into Spaghetti Westerns, &amp; we happened upon Django, &amp; we all fell in love with it. My kids now want to listen to the theme song in the car everywhere we go, &amp; they want to see everything Franco Nero has ever done.<br />
4. I knew it had a cult following due to some precursory research into spaghetti westerns, but I had no idea it would be just as good as it really is. The dark art of the film &amp; Nero&#8217;s unforgettable performance is timeless &amp; will forever go down in the annals of film history as the epitome of &#8220;Cool&#8221;.</p>
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		<title>Comment on Django Survey by Colm</title>
		<link>http://www.austinfisher.me.uk/2010/12/django-survey/comment-page-1/#comment-1538</link>
		<dc:creator>Colm</dc:creator>
		<pubDate>Mon, 14 Feb 2011 17:07:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?p=598#comment-1538</guid>
		<description>1. 24
2. Irish
3. First watched it in 2010 as part of my research undertaken for my Masters Thesis on the plossible implications of Spaghetti Westerns in a globalised context.
4. Few preconceptions that I can recall now but, by virtue of the genre I suppose, I expected it to be relatively violent, narratively simplistic and very stylish</description>
		<content:encoded><![CDATA[<p>1. 24<br />
2. Irish<br />
3. First watched it in 2010 as part of my research undertaken for my Masters Thesis on the plossible implications of Spaghetti Westerns in a globalised context.<br />
4. Few preconceptions that I can recall now but, by virtue of the genre I suppose, I expected it to be relatively violent, narratively simplistic and very stylish</p>
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		<title>Comment on Spaghetti Lefties: Postmodern Politics in Robert Rodriguez’s &#8220;Machete&#8221; &#8211; Film and Media 2011 by Tweets that mention Austin Fisher – Spaghetti Lefties: Postmodern Politics in Robert Rodriguez’s “Machete” – Film and Media 2011 -- Topsy.com</title>
		<link>http://www.austinfisher.me.uk/2011/02/spaghetti-lefties-postmodern-politics-in-robert-rodriguez%e2%80%99s-machete-film-and-media-2011/comment-page-1/#comment-1537</link>
		<dc:creator>Tweets that mention Austin Fisher – Spaghetti Lefties: Postmodern Politics in Robert Rodriguez’s “Machete” – Film and Media 2011 -- Topsy.com</dc:creator>
		<pubDate>Mon, 14 Feb 2011 09:50:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?p=735#comment-1537</guid>
		<description>[...] This post was mentioned on Twitter by Austin Fisher, Austin Fisher. Austin Fisher said: Forthcoming talk &quot;Spaghetti Lefties: Postmodern Politics in Robert Rodriguez’s Machete” @ Film &amp; Media 2011 - http://bit.ly/fsO5NY [...]</description>
		<content:encoded><![CDATA[<p>[...] This post was mentioned on Twitter by Austin Fisher, Austin Fisher. Austin Fisher said: Forthcoming talk &quot;Spaghetti Lefties: Postmodern Politics in Robert Rodriguez’s Machete” @ Film &amp; Media 2011 &#8211; <a href="http://bit.ly/fsO5NY" rel="nofollow">http://bit.ly/fsO5NY</a> [...]</p>
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		<title>Comment on Go West, Comrade&#8230; on the Spaghetti Western Database! by Tweets that mention Austin Fisher – Go West, Comrade… on the Spaghetti Western Database! -- Topsy.com</title>
		<link>http://www.austinfisher.me.uk/2011/01/go-west-comrade-on-the-spaghetti-western-database/comment-page-1/#comment-1535</link>
		<dc:creator>Tweets that mention Austin Fisher – Go West, Comrade… on the Spaghetti Western Database! -- Topsy.com</dc:creator>
		<pubDate>Mon, 31 Jan 2011 09:58:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?p=702#comment-1535</guid>
		<description>[...] This post was mentioned on Twitter by Spaghetti Western DB, Austin Fisher. Austin Fisher said: New article: Go West, Comrade… on the Spaghetti Western Database! @SWdatabase http://bit.ly/fdtTrt [...]</description>
		<content:encoded><![CDATA[<p>[...] This post was mentioned on Twitter by Spaghetti Western DB, Austin Fisher. Austin Fisher said: New article: Go West, Comrade… on the Spaghetti Western Database! @SWdatabase <a href="http://bit.ly/fdtTrt" rel="nofollow">http://bit.ly/fdtTrt</a> [...]</p>
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		<title>Comment on Django Survey by James Benmore</title>
		<link>http://www.austinfisher.me.uk/2010/12/django-survey/comment-page-1/#comment-1531</link>
		<dc:creator>James Benmore</dc:creator>
		<pubDate>Tue, 11 Jan 2011 15:06:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?p=598#comment-1531</guid>
		<description>1. 35
2. English
3. Watched it when it was shown as part of the mid-nineties film prorgamme Moviedrome where cult movies were introduced by Alex Cox late at night. 
4. I knew I&#039;d like it because I liked all the Leone westerns but remember little about the story except for the imagery of the guns in the coffin and the mutilated hand. Would watch again though.</description>
		<content:encoded><![CDATA[<p>1. 35<br />
2. English<br />
3. Watched it when it was shown as part of the mid-nineties film prorgamme Moviedrome where cult movies were introduced by Alex Cox late at night.<br />
4. I knew I&#8217;d like it because I liked all the Leone westerns but remember little about the story except for the imagery of the guns in the coffin and the mutilated hand. Would watch again though.</p>
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		<title>Comment on Django Survey by Martin</title>
		<link>http://www.austinfisher.me.uk/2010/12/django-survey/comment-page-1/#comment-1530</link>
		<dc:creator>Martin</dc:creator>
		<pubDate>Mon, 27 Dec 2010 08:00:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?p=598#comment-1530</guid>
		<description>1. 37
2. Scottish
3. First watched in about 2007 after buying the DVD. I was just starting to watch non-Leone westerns.
4. No real preconceptions, but I was aware of the hype about it being a classic and very violent. I was a little bit disappointed, but enjoyed it more when I watched it again last year.
Good luck with the survey
m</description>
		<content:encoded><![CDATA[<p>1. 37<br />
2. Scottish<br />
3. First watched in about 2007 after buying the DVD. I was just starting to watch non-Leone westerns.<br />
4. No real preconceptions, but I was aware of the hype about it being a classic and very violent. I was a little bit disappointed, but enjoyed it more when I watched it again last year.<br />
Good luck with the survey<br />
m</p>
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		<title>Comment on &#8220;Sergio Leone and the Western Myth&#8221; by Tweets that mention Austin Fisher – “Sergio Leone and the Western Myth” -- Topsy.com</title>
		<link>http://www.austinfisher.me.uk/2010/12/sergio-leone-and-the-western-myth/comment-page-1/#comment-1529</link>
		<dc:creator>Tweets that mention Austin Fisher – “Sergio Leone and the Western Myth” -- Topsy.com</dc:creator>
		<pubDate>Thu, 16 Dec 2010 14:37:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.austinfisher.me.uk/?p=585#comment-1529</guid>
		<description>[...] This post was mentioned on Twitter by Austin Fisher, Austin Fisher. Austin Fisher said: New post: “Sergio Leone and the Western Myth” http://bit.ly/ezILXE [...]</description>
		<content:encoded><![CDATA[<p>[...] This post was mentioned on Twitter by Austin Fisher, Austin Fisher. Austin Fisher said: New post: “Sergio Leone and the Western Myth” <a href="http://bit.ly/ezILXE" rel="nofollow">http://bit.ly/ezILXE</a> [...]</p>
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