My latest article, on the cinematographic nuances of Damiano Damiani’s political Italian Western Quien sabe? (1966), appears in this summer’s edition of The Italianist. This publication has become established as one of the leading international journals of Italian Studies. The annual Film Issue provides an outlet for research into an aspect of the discipline that has increasingly occupied scholars in recent years, but which has until now been without a dedicated forum. You can purchase my article by clicking here…

Here’s the full list of contents in this latest issue:

Editorial

Editorial
pp. 163-163(1)
Authors: Marcus, Millicent; O’Leary, Alan

Articles

Gendering mobility and migration in contemporary Italian cinema
pp. 165-182(18)
Authors: Luciano, Bernadette; Scarparo, Susanna

Out West, down South: Gazing at America in reverse shot through Damiano Damiani’s Quien sabe?
pp. 183-201(19)
Author: Fisher, Austin

Sexual dissidence and the mainstream: The queer triangle in Ferzan Ozpetek’s Le fate ignoranti
pp. 202-218(17)
Author: Rigoletto, Sergio

Percorsi di identità narrativa nella memoria difficile: La musica in I cento passi e Buongiorno, notte
pp. 219-244(26)
Author: D’Onofrio, Emanuele

Short Communication

Il Divo: A discussion
pp. 245-271(27)

Framing crisis and rebirth in Italian cinema: A roundtable

Framing crisis and rebirth in Italian cinema: A roundtable
pp. 272-289(18)

Editing Suite

Il cinema italiano intorno a Gomorra tra visibilità, semivisibilità, invisibilità
pp. 290-308(19)
Author: Uva, Christian

Cinegiornale

Conference report
Popular Italian Cinema: An International Conference
pp. 309-314(6)
Authors: Bayman, Louis; Rigoletto, Sergio

Conference report
Da ‘Sodoma’ a ‘Gomorra’: Framing Crisis and Rebirth in Italian Cinema
pp. 315-320(6)
Authors: Holdaway, Dom; Grisà, Mariarita Martino

Cinemonitor – Osservatorio Cinema (www.Cinemonitor.it)
pp. 321-323(3)
Authors: Grisà, Mariarita Martino